SATURDAY CLUB :: WRITE YOURSELF IN
A five-month, Venus as Evening Star, Parisian-themed salon series
for women who are ready to write themselves in
MAY to SEPTEMBER 2026
Online
Start date: Saturday May 30th 2026
5pm BST UK time
In 1405, a woman named Christine de Pizan, had spent years reading what men had written about women + found it to be, collectively + with increasing fury… insufficient. TOTAL MOTHER-LOVING UNDERSTATEMENT. So she wrote The Book of The City of Ladies + conjured, with her words, a city into existence + populated it with women that history had overlooked or diminished or refused to see.
Now, across lifetimes + timelines - inspired by Christine + the women who have been before + are yet to come - a Venusian literary + arts salon that has no postcode, no arrondissement + exists outside of time, hosts women who WROTE THEMSELVES IN.
NOTE: If you’re called, YOU will absolutely KNOW how to find it.
Anais Nin, Gertrude Stein + Musidora are there.
Agnes Varda is filming the light through a doorway.
Marguerite Duras is at the window, watching rain hit the glass + making VERY extensive notes about it.
Janet Flanner is at the corner table, filing copy so precise, the entire weight of Paris is held in her words.
Louise Brooks, sharper than anyone EVER gives her credit for, is writing in the margins of a book that she wholeheartedly disagrees with.
Natalia Ginzburg is absolutely not here for my/your/our excuses, while Colette, yes, THE Colette who wrote forty books + took her name back from the man who stole it, is pouring the gin.
I’ll give you a clue, for now at least, because the address is ever-changing, you can find it in Paris at early evening, when, at least in the Paris of MY imagination, the sky is golden + full of possibility + when you do, you’ll be met by a woman, wearing a glorious kaftan + a strong red lip, who will welcome you to: WRITE YOURSELF IN.
In this literary + arts salon outside of time + place, yet also in Paris, + that’s always existed, there are books on the shelves without titles + words waiting for YOU to claim them as your own.
WHY DO I NEED TO WRITE MYSELF IN?
The science fiction author, my High Priestess of worlds + words, Octavia E. Butler - you can read ALL about her in Respell Your Reality - said: “You’ve got to make your own worlds. You’ve got to write yourself in.”
Why?
Because, if you don’t, your story lives in you the way that all unwritten + unsaid things live, it becomes restless, persistent + usually it’s really bloody inconvenient.
It shows up when you’re in the shower, on the school run + at 2am when you should be sleeping.
+ you’ve started to write it down, maybe.
Stopped, probably.
Telling yourself that you’ll write when things “settle down”. Except, spoiler alert, things NEVER. SETTLE. DOWN. (Rude, I know.) + your story, despite what AI will have you believe, is NOT going to write itself.
Now, what I WILL say is that the stakes of you NOT choosing to WRITE YOURSELF IN are higher than you think.
If women like you/me/we do not write ourselves into existence, our stories, worlds + realities WILL be written for us. (+ I can PROMISE that they will NOT be written in our favour.)
This is NOT a drill.
The stories that WE tell about women's lives, women's bodies, women's desire, women's rage, women's joy, women's ordinary extraordinary days shape + form + make true what gets considered as possible + real. Every woman who doesn’t tell, share + live her story out loud in her own voice, leaves that space wide open for someone else to fill it for her + you’d best believe I am NOT COOL WITH THAT.
Sumerian Priestess, Enheduanna pressed her name into clay in 2300 BCE
making her THE first author + showing us the way.
Approx 2,600 years ago, Sappho, an ancient Greek poet, pioneered
the use of the first-person singular ("I") to explore intimate emotions
+ developed the "Sapphic stanza," which she used for her poetic compositions.
Christiane de Pizan built a City of Ladies in word-form for us to live inside in 1405.
Madeleine De Scudery, French novelist + saloniere (+ the reason why SATURDAY CLUB exists)
put Sappho’s female “I” voice back in literature in the 1600’s.
Helene Cixous, my forever love + inspiration, wrote in 1975:
“woman must write herself or she will be written.”
Octavia E. Butler, high priestess of worlds + words, said in 2000:
“You’ve got to make your own worlds. You’ve got to write yourself in.
It’s now 2026, four thousand years have passed (+ are yet to come + still exist) + tap, YOU. ARE. IT.
So, WHAT EXACTLY IS WRITE YOURSELF IN?
It’s a five-month online salon series, running May through til September 2026 + it’s for women who are ready to take their writing, + themselves, really bloody seriously.
You might have a book idea - fiction or non-fiction - or something completely NOT categorisable.
A memoir you’ve been afraid to start.
Essays + words + poems that are piling up somewhere in your body + bones because they’ve not made it to the page. YET.
A Substack/Ghost/Blog that you keep meaning to start, write + share.
A novel that visits you at THE most inconvenient moments + niggles away at your psyche. ALL. THE. BLOODY. TIME.
You do not need to have it figured out,
but you DO need to have something to say.
MONTHLY SALON
Each month, we’ll gather on the LAST Saturday of every month, live (recording available 48 hours later), in OUR mythical AND very real, Venusian literary + arts salon.
It’s part literary circle, part writing mistress-class, part lineage of women who have been doing this for over four freakin’ millennia.
We’ll read together.
We’ll write together.
We’ll talk about craft + our stories + our lives + our experiences + our realities in the way that they deserve to be talked about: passionately, on the page, out loud + WITH EACH OTHER.
And woven through ALL of it, every month I’ll share the real, unfiltered truth about how publishing works. Traditional + independent. Agents + pitches. Platform + positioning. What the gatekeepers don’t tell you + how WE get to CHOOSE.
WEEKLY WRITER’S ROOM
Once a week, we gather, online, together, in OUR writing room for an hour.
No teaching, no agenda. We say hi, I hit mute, you bring whatever you are writing, you open it + you write. We write. Together, in silence. (I mean, you can put on the WYI playlist or your own tunes, but you get the idea, right?!!!) + we then check in at the end to see how it went for each other!
There is something about knowing that other women are at their desks at the same moment - in different cities, different time zones, different chapters of their books - that makes the work happen in a way that is different to when you write alone.
Writers have always known this.
Colette knew it.
De Beauvoir knew it.
You are about to know it too.
The Writing Room runs weekly throughout the five months (the day + time will be decided with the participants.)
PARIS IS A WOMAN'S TOWN
“It was not what Paris gave to you but what it did not take away from you which was important.”
- Gertrude Stein
One of my favourite books, published by Mary Margaret McBride, in 1939, is titled Paris is a Woman’s Town + our salon while online is based in Paris, it’s always in Paris (until it isn’t), because Paris has always been where women came to write on their own terms.
Sylvia Beach opened Shakespeare and Company + published the book the entire English-speaking world said could not be published.
Natalie Clifford Barney held her Friday salons at rue Jacob for sixty years, gathering Colette, Djuna Barnes, Radclyffe Hall, Gertrude Stein + anyone else who needed a room where brilliance + passion was the only entry requirement.
Janet Flanner filed the Paris Letter for The New Yorker for half a century, writing the city into language so precise it still holds true now.
Christine de Pizan built her City of Ladies here too, in her imagination, in her study, in the Paris of 1405 where a woman with a pen was either invisible or dangerous. She chose dangerous. (+ SO WILL WE!)
The salon that WE gather in exists in THAT Paris.
The Paris outside of time.
The Paris where EVERY woman who has ever picked up a pen is still writing, it’s where I go to write, it’s where MY Women of the Wild Rose fiction series are set, so when you join me for WRITE YOURSELF IN, you’re also remembering + joining an entire lineage of brilliant women - in the imaginal AND very real Paris - women who told + wrote + lived their stories, women who wrote THEMSELVES in.
WRITE YOURSELF IN is NOT a “write your book in 10 days” course.
It’s NOT content strategy sessions.
It’s MOST DEFFO NOT a “productivity” programme.
NOTE: It’s something far older + more future-focused than ANY OF THOSE THINGS.
WRITE YOURSELF IN
a five-month immersive experience
- while Venus is in her Evening Star phase -
where we will explore the act, + the art,
of writing yourself, + your story, into existence.
It’s where you start on your terms, at your pace, in your voice + you join a secret(ish) society of women, the ones that I call The Women of the Wild Rose, the ones who came before you, who are yet to come + who, like you, are remembering that YOU ARE A WILD ROSE in the here + now + they are ALL nodding, winking + raising glasses filled with various libations to YOU.
I won’t lie, some of them are also whispering under their breath “thank fark for THAT, it’s about bloody time she remembered!” - Ha!
+ when you say yes, you’re claiming YOUR place as a woman who writes herself In.
The WOMEN WHO WROTE THEMSELVES IN
The required reading for WRITE YOURSELF IN is The Laugh of Medusa by Helene Cixous.
In it she leads us through feminist theory + dream-logic, poetry + prophecy.
Yes, it’s a takedown of what she calls the phallocentric writing world AND it’s a push/butt kick towards what she calls écriture feminine - feminine writing - which is not really about gender + more about us - me + you - taking back language from the over-culture + letting your writing, your story, all that’s real + true for you, be expressed THROUGH your body, in YOUR language, YOUR own rhythm + in YOUR own voice.
She says that we’ve been “shut out of language, exiled from meaning, told our voices were excessive, embarrassing, irrational”
which is WHY the only way back is to WRITE OURSELVES IN.
So yes, we will LOVE on + refer to Helene + “Medusa” in every salon AND…
every month, you’ll also meet TWO women across space + time, who HAVE written themselves in.
They’re Venusian Wild Roses, women who wrote, performed, published, insisted, refused + reclaimed,
often against considerable opposition, their right to be the authors of their own stories, experiences + lives.
FYI: They’re not simply historical footnotes, they’re provocateurs, they’re women who are here to remind us of what has always been possible.
THE FIVE SALONS
MAY
The Desire to Write
We begin with the desire to write because…well, desire is directional + it’s the whole mother-loving point.
We meet filmmaker + story teller, Agnes Varda (if you haven’t watched Cleo de 5 á 7 - make THAT a non-negotiable) who surpassed French New Wave with her distinctive brand of filmmaking that she called cinécriture - cine-writing + Violette Leduc, often hailed as France’s greatest unknown writer, who’s memoir, La Batarde opens mid-sentence, mid-feeling, with no apology + no preamble. It begins in the middle of life, because that is where all honest writing begins, so that’s EXACTLY where we’ll start too.
JUNE
Architecture Is a Creative Act
We look at turning the imagined into shape + form. The beauty + imagery. The feeeeeeeels.
The decisions that you make about where to begin, where to end, what to leave in + what to cut, yes, these are technical choices + they’re expressive ones. They’re where your real + true voice lives.
We meet writer, Janet Flanner who, under the pen name Genêt, filed the Paris Letter for The New Yorker for over fifty years + one of my all time most favourites of favourites, Marguerite Duras who’s book The Lover was rejected in its original form, so while she didn’t change the story, she DID change the architecture, + it became one of THE most celebrated French novels of the twentieth century.
JULY
The Editorial Eye
At some point in the writing experience, every writer must learn to read their own work with the clarity + capacity to see the gap between what is experienced + what is actually on the page.
We meet Mary McCarthy, critic, novelist, memoirist + a “prose stylist”. She made literary establishments furious with the things that she said (+ we LOVE that she NEVER apologised for it either, mainly because she was rarely wrong.) She understood that the “editorial eye” is the deepest form of respect that you can pay your own work.
+ Louise Brooks, who, when you first think of her, probably conjures images of THAT bob + while I can’t be certain, I DO think she’d have hated THAT. Her story is a wild + unflinching one AND her writing is so precise, funny + unsparing about the industry that tried to own her image + failed. Lulu picked up a pen + wrote back. + FYI: So will we.
AUGUST
The Industry + The Landscape
Over twenty years in publishing as a journalist, an author, a ghost writer, a writer for hire + a developmental editor means that I’ve seen + heard it ALL.
The deals that happened + the ones that should have but didn’t.
The women whose work found its readers + the women that the industry failed.
We’ll talk traditional publishing + independent publishing.
What agents actually look for + how to find the right one.
The self-publishing landscape + how to navigate it.
The questions to ask, the moves that ARE smart + the ones that only LOOK smart (+ how to tell the difference!)
This is also the month we have our dedicated Q&A session.
The publishing industry is built on mystification + we are OBVIOUSLY going to dismantle it.
We’ll meet Zora Neale Hurston, one of THE most important American writers of the twentieth century who died in poverty + was rediscovered decades later by Alice Walker.
+ Nina Simone who wrote, recorded, + performed entirely on her own terms at considerable personal cost because the alternative was becoming someone else's version of herself + THAT was never an option. She understood that naming your own work is THE first act of authorship - WE LOVE HER!
SEPTEMBER
Write Yourself In
Four months of reading + writing + revising + revealment in the salons (+ in our weekly Writer Room writing-together sessions) so now, the thing you ACTUALLY came here to do.
We began with Enheduanna pressing her name into wet clay in Sumer.
We walked through centuries of women who wrote, + built rooms + entire cities that the world refused to build for them + put their names on things that have lasted.
This month, you/we/us do the same.
WRITE YOURSELF IN is not only about finishing a manuscript +/or
launching a Substack or sending a pitch.
It’s about claiming YOUR place.
Your voice, your story, your existence, written in your own handwriting + on your own terms.
We’ll meet Colette, the woman whose work was published under her husband's name, but who took her name back - HER story is OUR story - + we’ll FINALLY meet Christine de Pizan, poet, philosopher + the first professional woman writer in European history + the “official” architect of everything we have been doing together.
The Book of the City of Ladies, written in 1405, is a radical act of reclamation: a woman who read what the world had written about women + built something better, from scratch. She populated the city with EVERY woman she admired, EVERY woman history had failed, EVERY woman who deserved to be remembered. She wrote them, + herself in, + SO WILL WE.
THE FULL WRITE YOURSELF IN EXPERIENCE
This is NOT a series of zoom calls that you log into, watch + then forget. I have NO interest in offering, creating or curating THAT. It’s an immersive, feel-it-in-your-body experience that will run throughout the remainder of the Evening Star Venus phase of this current 18ish month Synodic Venus cycle. (+ you can read ALL about that in my book, Venus.)
SATURDAY CLUB is Venusian + is always experienced alongside the Venus cycle, because IF Venus calls you, (+ if you’re reading this, consider yourself a “Called Woman”) she is asking you to weave, un-weave re-weave the Venusian mysteries of art + beauty + magic + the body so that you can re-tell + re-spell new worlds + realities for These Times.
Our last SATURDAY CLUB salons were in an imaginal underground Parisian speakeasy (which if I knew the exact location, I’d say was somewhere on the left bank?!!) + we descended into the Venusian underworld which we traversed WITH the Queens of Tarot to self initiate + crown ourself mother-loving queens. This time, we’re ascending with Evening Star Venus, (+ if I were to take a guess, I’d say that our locale MIGHT be somewhere in Monmartre, it’s a Paris outside of time, so trust yourself, you’ll KNOW where it is), + we’re exploring + experiencing + fully inhabiting authorship from the perspective of a Queen who has claimed her throne for the next five whole months.
It's a sensory, literary, conspiratorial, imaginal + very real experience, conjured, curated + created with ALL the care + delivered with BIG love by me, bestselling author, artist, developmental editor + magical minx, Lisa Lister, your Salonierre, (+ the women who are gathered inside it.)
HOW IT WORKS:
When you sign up, you’ll receive your intake form.
Don’t fret, it’s short, I’ll simply ask a few questions to see where you are in your work, what you’re writing (or wanting to write), what keeps stopping you + whether you’d like to be paired with a writing partner for the duration of the immersion.
NOTE: I read every single one, OUR salons are shaped by who’s in it.
Each salon, we gather live at 5pm BST for two hours on the LAST Saturday of each month. Cameras optional. Participation invitational. The recording is yours within 48 hours + if you can’t make it live, you can submit questions in advance.
Between salons, EVERY WEEK, I’ll offer a 60 minute, co-working session - THE WRITER’S ROOM - via zoom, for us ALL to write + create TOGETHER. (Depending on where most of you reside, we’ll make sure the timezone works for MOST people, if not, I’ll do a variety of slots - we’ll figure it out.)
I create a digi-love ‘zine for each salon. (A PDF in which I live out my wildest Anna Wintour dreams.) Consider it a love note from “inside OUR city of ladies” - they’re usually between 25 + 50 pages, I can’t help it!) where I’ll share the Wild Roses of the month, the books, the films, riffs + heart prompts + extensive notes, insights + intel from me about the writing + reality creation process.
It will arrive every month sealed with a vintage red lipstick kiss.
WHAT’S INCLUDED
Five monthly live online salons, two hours each, FOURTH Saturday of the month at 5pm BST
Recordings within 48 hours, accessible through to March 2027.
Weekly co-working sessions in THE WRITER’S ROOM where we just tune in, say hi + then start working + writing together in a zoom room for 55 minutes - you’ll be AMAZED at what can happen when women come together this way.
Monthly digi-love ‘zine based on the salon each month with Venusian intel, personal riffs, profiles of women authors, voice notes, imaginal journeys, resources, watch, read + listen lists.
A dedicated industry Q&A in August: your questions, twenty years of publishing knowledge, nothing held back.
Optional writing companion matching: tell me where you are + what you need + I’ll match you up with a writing friend for the duration of our time together!
A private circle of women writing alongside you for the full five months
A Whatsapp community. An un-monitored (because guess what? We’re all grown ups) optional space for sharing between salons + writer rooms.
MEET LISA LISTER (That’S ME!)
YOUR SATURDAY CLUB SALONIERRE
I’m Lisa Lister, author, artist, storyteller, editor, creatrix, mistress of magic + mystical minx.
My role (at least this lifetime, + on this timeline) is to be YOUR Wild Rose Salonierre – fancy French term for host + curator - who creates, curates + conjures spaces + places, books + stories, online + in-person salons + workshops, events + retreats that invite us ALL to remember OUR power + OUR magic through the Venusian mysteries of the Women of the Wild Rose…TOGETHER.
I’ve been in publishing as a journalist, editor + author for over two decades.
I was a journalist for teen + women’s magazines in the 2000s + agony aunt for Mizz magazine for 6+ years. I’ve had bestselling books of my own including: Witch, Code Red, Self-Source-ery, Love Your Lady Landscape + Venus. I’ve ghost-written books as a writer-for-hire that have been on the NYT bestseller list for over 10 weeks AND…I’ve also written annuals + a Justine Bieber yearbook back in the day!
I’ve self-published AND trad published + I share honestly about it ALLL….
Which is why I am SO excited that during THIS season of SATURDAY CLUB, during Venus in her Evening Star phase, we’ll ascend, TOGETHER, in a literary + art salon with women from across four milennnia to express what’s real in our own language, in our own rhythm + in our own voice.
As Helene Cixous says: we’ve been shut out of language, exiled from meaning, told our voices were excessive, embarrassing, irrational + the only way back is to WRITE OURSELVES IN.
Now is the time.
This is the hour.
Ours is the magic.
Ours is the power.”
(I NEVER need an excuse to quote The Craft.)
I pour my whole big, beat-y heart into SATURDAY CLUB, some of the recent visitors said THESE lovely words about it:
I reclaimed my power and energy, i felt id lost it, but it was just buried and these salons helped me to gently uncover her.
The salons are so potent that even on replay I can feel the strong energy as if it was live, i have never experienced that on any other replay for anything. Its really magical. Thank you so much.
- Jenna
My entire perception of myself and what's possible for me has shifted. I started this container lost, devastated, and burnt out. And hopeless. Mostly hopeless. Now I'm freaking rigorous in my boundaries and NOT taking on other people's emotions and experiences, and also not "leaking" everywhere! And I've got a ridiculous level of discernment on what and WHO is and isn't for me. And what I will, and will no longer tolerate.Thank you, thank you, THANK YOU!!!
For all the love, support, care, curation, and creation you put into this series!! It was a tremendous gift to be in circle with you, and I am DEEPLY appreciative of all of the calls, 1-1 emails, and resources that we got throughout the container!! Blessings to you!!! xx
- Kate
This salon series was so beautifully and thoughtfully curated - love learning about the women you shared, especially love that you featured Billie Holiday, have loved her since my childhood!! I am absolutely forever changed by your work. xoxo
- Bethany
I was so surprised by the intimacy. I never felt like one of the many. It felt this amazing mix of just you and I working alone but then also having all these other women there with us on the journey. Your true love and caring shines through big time!!! Saturday Club is a deeply personal juicy experience where you learn about yourself and the women that came before you on this path. Lead by the ultimate badass!
- Jackie
THIS IS FOR YOU IF...
You have a book, a memoir, essays, poetry, a Substack, or a story that has been waiting long enough + you are ready, finally, to write it into existence
You want to take your writing seriously + be in a room where every woman around you is doing the same
You are somewhere on the writing journey - beginning, stuck, mid-manuscript, nearly there
You want to understand how publishing works, from someone who has spent twenty years inside of it
You believe that your voice matters. Or you want to believe it + you need a City of Ladies + a monthly literary salon/weekly writers room to help you remember how bloody magical + powerful + talented you are
You’re interested in writing to a Venusian rhythm, even if you’re not entirely sure what THAT actually means
You’re ready to claim your place in a lineage of women - WILD ROSES - who wrote themselves into existence
FYI: THIS IS NOT FOR YOU IF...
You’re looking for a shortcut.
You want templates, formulas + a done-for-you approach to getting published.
That’s not what we do here. (Although the August Q+A salon is going to contain a lot of super-practical elements so maybe I’m being thoroughly contrary + maybe it IS what we do here! Ha!)You are not yet ready to write. Come back when you are.
You don’t need to know WHAT you’re going to write, but you DO need to be ready to write.
To join me + to WRITE YOURSELF IN, choose either a pay in full or a payment plan below + follow the instructions.
NOTE: If you keep scrolling, you’ll see that there were SEVEN spots available to work with me 1-to-1 (the cost outlined for “The Editorial” includes both WRITE YOURSELF IN + 5 1-to-1 sessions to have me read, edit, support, help ALL. THE. THINGS.) They’ve now all sold out, but I WILL open a wait list for WYI participants - so when you sign up to WYI let me know if you’re interested in editorial support + I’ll add you to list + let you know if any any spaces become available!
INVESTMENT
THE EDITORIAL
SOLD OUT
(If you’d like to be added to the wait list, sign up to WYI + I’ll let you know if any spots become available)
Five months. One-to-one, with me.
If you want MORE than the monthly gatherings, if you have pages that you’d love to have experienced eyes on, a structure that’s not quite holding, a book you’re trying to understand from the inside, this is for you,
Once a month, for five months, we meet for 50 minutes.
Just you, your work + twenty years of publishing experience in the room - that’s me, BTW.
Bring up to ten pages for developmental feedback. I will read them before we meet. Or bring your plot, your structure, your idea that keeps shifting shape every time you try to hold it still. We will work on the architecture together until you’re happy.
To be clear about what this is + what it’s not: I’m a professional developmental editor. I work with the big stuff, I care whether your structure is serving your story, whether your voice is consistent, whether the thing you keep circling in chapter six is actually the heart of the whole piece.
I don’t correct grammar. I don’t fix sentences. I ask the questions that make you see, feel + experience your own work differently + then I help you figure out what to do about it is you find.
What’s included in The Editorial
• Five 50-minute 1:1 sessions with Lisa, one per month across the 5 month experience.
• Developmental feedback on up to 10 pages per session, or structural and plotting conversation: your choice each month, decided by what your work needs
• Honest, experienced editorial perspective from someone with twenty years in publishing as journalist, author + developmental editor.
• Full access to the Write Yourself In experience.
FAQs
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Women of the Wild Rose is a secret-ish women’s society from across lifetimes + timelines devoted to the Venusian mysteries, where art, archetype, movies, mythos, ritual, glamour magic + a whole lot of rebellion meet.
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Yep, absolutely. I’d love for us to gather in real-time AND…the nature of online/life/timezones/all the things means that it’s not always possible.
I’ll send an email out before each Salon so you can submit any questions if you’re not able to make it live.
The recording will be made available 48 hours later - sometimes sooner + there’s an open invitation to share any responses + experiences (+ ask MORE questions) throughout our 5 months together. -
In everything I create, I always wait until the doors are closed + then invite those who have signed up + stepped in to make a choice as to how/if they want to do that + in what format.
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This is a 5 month Venusian container, everything is created VERY intentionally, so no, there is not currently an option to sign up for the salons separately.
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Unfortunately due to the digital nature of this Saturday Club, after the start date there are no refunds available.
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Back in the day, ‘salons’, sometimes called ‘moon colleges’ (highly recommend sourcing + watching the ‘moon college’ episode of The Musketeers - so good!) were when the most brilliant women, who were not allowed to go to university – do not get me started on THAT! – would gather, in private, to discuss + create + share + process…well, ALL the things.
Some, those that were a little more secret, gathered - coven style - to ritualise + create ceremony + to hone their divination + oracular skills as priestesses, magic women + healers.
I’ve been offering SHE Salons + SHE Soirees, in person + online, since 2012, as a place for brilliant women to gather, to remember + ritualise their power, creativity + magic (+ to remember that they ARE magic) + SATURDAY CLUB is NO different.
Text and artwork © Lisa Lister, 2026
The moral rights of the author have been asserted.
All rights reserved. No part of this website or the program’s contents may be reproduced by any mechanical, photographic or electronic process, or in the form of a phonographic recording; nor may it be stored in a retrieval system, transmitted, or otherwise be copied for public or private use, other than for ‘fair use’ as brief quotations embodied in articles and reviews, without prior written permission of the creatrix, Lisa Lister.
Due to this being a digital product no refunds will be given.